Using mediums has helped me ease into oil painting. I worked with oils a long time ago with a teacher who wouldn’t let us use thinners, mediums etc. and we learned to clean our brushes with soap and water. I used palette knives and came to like them, but I enjoy the fluidity of paints thinned with medium. The concern: I’ll just repeat what I do in watercolor, gouache and ink. A better understanding of the medium would open up other ways to make images. I also feel I still rely too much on “staying within the lines” when I make an underdrawing. Often the initial drawing becomes part of the picture.
The two cross madonnas below are works in progress.
In #1 I mounted a handkerchief on stretched canvas then painted into it using gouache and acrylic.I have a pile of handkerchiefs my mother has sent me over the years. I used to sew clothes by hand and on a machine, and make quilts. I’m always drawn to the tactility of fabric, the history and sentiments/emotions attached to old fabric. Louise Bourgeois’s small fabric pieces have always inspired me and I’ve kept my mother’s gift handkerchiefs with the hope of using them. Not sure this is the way but there’s something about the piece I like.
#2 started with the image from the sketchbook, and I drew a rough sketch of it on top of an acrylic painting on paper. Then I worked into it with oils, adding some imagery but also allowing previous images to inform choices. I like the hint of a woman’s leg and breast though (of course) not sure where this will go.
Below: pages from my sketchbook noodling and doodling about crosses, madonnas, insects, vegetation and maybe Carmen Miranda. The cross in the lower left of sketchbook 1 reminds me of a dancing, singing Miranda. Maybe another direction.. ? 🙂